A Printing Process

 
 

I bargained with myself that if I could get X, Y and Z done on my to do list, I could hit the library’s used book sale, get my hair cut and start work on a new block print. I like used books. I dislike frizzy hair. And I really, really like love block printing. So needless to say, my to do list actually got finished this week.

I’ve based this illustration on photographs of women peat gatherers from the 19th century (who also frequently knit while hauling their baskets, which is hardcore multi-tasking). The image on the left is a Photoshop mockup, where I traced over a scan of my original pencil sketch. I then printed this and transferred the design to the block. And at the stage pictured, I painted over the pencil transfer with ink. In the past, I’d start carving once I had the pencil sketch transferred, but found myself struggling to envision the final print while working. But painting the exact areas I want to print has helped a ton, removing a lot of guesswork. I’ve gotten a fair amount of carving time in this week, so am hoping to start printing next week.

Also, I held my breath for most of the time I was cutting those facial features. And that is decaf in my coffeee mug, because sharp objects and being overly caffeinated don’t mix well, in my experience.